
Arthur Wing Pinero
1855–1934 · British playwright and actor
Sir Arthur Wing Pinero (1855-1934) was an English playwright who began his working life as an actor. Active from the 1870s into the 1920s, he became one of the most produced dramatists in London, writing mainly in English. His plays remain a useful guide to Victorian and Edwardian comedy and to the social drama of his time.
The son of a London solicitor from a family of Sephardic descent, Pinero left a clerk's post to study elocution and join the stage. He made his professional debut in Edinburgh in 1874 and spent about five years as a supporting player in Henry Irving's company at the Lyceum. Meanwhile he was writing short comedies and, in time, full-length plays. By the early 1880s he had given up acting to write full-time.
His first real triumph came with farce, above all The Magistrate (1885), which ran for an unusually long period at the Court Theatre. In the 1890s he turned to serious subjects, tackling the double standards imposed on women in plays such as The Second Mrs Tanqueray (1893). The play shocked some audiences but made money. He later produced comedies such as Trelawny of the 'Wells' and The Gay Lord Quex. An opera libretto, The Beauty Stone, was less successful.
He was knighted in 1909. As the years passed his manner came to seem old-fashioned, and his later plays did poorly. Today he is remembered chiefly for the comedies and society dramas of the 1880s and 1890s, which are revived from time to time and have been filmed. His legacy lies partly in giving substantial leading roles to women at a time when few dramatists did so.
Key works
- The Magistrate (1885), a farce about a magistrate caught in a chain of absurd complications.
- The Second Mrs Tanqueray (1893), a social drama about a woman with a scandalous past and the hypocrisy around her.
- Trelawny of the 'Wells' (1898), a romantic comedy celebrating the theatre, old and new.
- The Gay Lord Quex (1899), a comedy about a reformed rake and a spirited young woman.
Curiosities
A rehearsal tactic
According to accounts of the period, Pinero gave actresses precise directions at rehearsal and, when they played the scene differently, praised them and asked them to repeat it that way on opening night. Reportedly, they often did what he had wanted.
Original Filopedia text based on Wikipedia (es) and Wikipedia (en) and Wikidata.